Yet through a series of contrived episodes, she returns to her husband. The protagonist is suspected, even by her husband, of infidelity, because she fails to bleed on her first night. This helped take his films to popular audiences, but it also had the effect of cushioning or softening the social implications of his stories.Ī good example here would be Devani Gamana (1982). Basically, while both were moved by a concern for the disadvantaged (mostly women), Premaratne viewed their issues through a more mainstream prism. Premaratne”, The Island, 24 October 2022). I have highlighted some of these differences in my previous article (“Lowering the brow: The films of H. Yet while appreciating Obeyesekere and Premaratne, the exact nature of their contribution needs to be assessed, because there were important differences between the two. This contribution has not been appreciated enough. In doing so they pioneered a third way in the cinema, tackling these issues while making concessions to popular audiences. Both directors focused a common set of issues: youth unrest, class conflict, women’s rights, and in their last few years (Premaratne with Visidela, 1997, and Obeyesekere with Sewwandi, 2006), the civil war and the insurrection. Basically, they helped shatter the distinction that had prevailed until then between an artistic and a commercial cinema. Premaratne, I pointed out that Premaratne and Vasantha Obeyesekere were responsible for much of the changes that swept through the Sinhala cinema in the 1970s. His songs contained meaningful, and simple, lyrics, and the music wasn’t just sound – very melodious to the ear. His hits included ’Sihina Lowak,’ ‘Gamen Liyumak,’ ‘Uadara Niliya,‘Mango Kalu Nande,’ ‘Kandasurinduni,’ “Dilhani,’and one of his biggest creations – ‘Kimada Nawe.’ Known as the Godfather of Sinhala Pop, Clarence, with his group The Moonstones, later The Golden Chimes, and then The Super Golden Chimes, created a new trend in Sinhala music, which was aptly called Sinhala Pop.īefore long, his music zoomed to the very top in the local music scene, and Clarence kept churning out hits after hits.Īll his creations became immensely popular, not only with the Sinhala audience but even with those who preferred the Western stuff. The ceremony took place on Tuesday, August 3rd, in the presence of MP Dayasiri Jayasekara, and the Mayor of the Maharagama Urban Council, Tiraj Piyaratne. Initiated by Rajiv Sebastian, the road, heading towards the star’s original residence, at Thalapathpitiya, was named Clarence Wijewardena Mawatha. The late Clarence Wijewardena was honoured, in a very special way, on his 78th birthday.
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